James Bond? Boone never heard of her. An award-winning lead title, Absinthe and Chocolate is now a free download from most retail venues! Released as a risk-free read in mid-month, the first of five titles in Boone’s File is enjoying success on Amazon and elsewhere. Find out why, and help spread the word!
Tag Archives: Boone’s File
Boone’s fifth novel is now in full release. “Thank you” to the many fans, helpers, and readers whose enthusiasm also makes my catalog what it is.
Her latest begins moments after the conclusion of her fourth, Meat for the Lion, and largely concerns itself with the events surrounding the resulting constitutional crisis in the Russian Republic. Along the way, nearly all of my surviving characters—Boone, Terry Bradley, Daniel Sean Ritter, Thalia Kebauet, Deborah Vosse, Yael Levin, and Jon and Mary Anthony—either play a role or make an appearance, as do others old and new. Epic, excellent, and already described elsewhere as a work wherein “the emotions never stop,” I’m simply delighted with the result.
Here’s the blurb:
“Spring brings changes: for Boone, the joy of an expectant mother. Both the U.S. and the Russian Federation see tumultuous presidencies reach unexpected ends; in Moscow, the cause is death at the hands of an InterLynk associate.
Washington political operatives seek to shore up a legacy of failure in order to preserve their party’s viability. In Russia, a resurgent movement exploits political turmoil to propose governance in the style of the last century’s Cold War. To those ends, all pursue a family on the run in the Mediterranean: loved ones whose safety is critical to ensure an assassin’s testimony.
Thrust into an international, unavoidable contest of deadly professionals, Boone’s challenge is to summon her faith and overcome fears inhibiting decisive action. Justice, integrity of governance, and the narrative of history in two countries await the outcome.
Approx. 91,500 words / 329 pp. print length”
Choose to love. -DA
Leading into next month’s release of Boone’s fifth and epic title, A Garden in Russia, I have the opportunity to hand off the forum to a pair of her biggest fans, Rebecca Johnson and Claire O’Sullivan. Ladies, the floor is yours:
Rebecca: Firstly, thank you, Dale, for allowing us to guest post on your page. Claire O’Sullivan and I are here to nag Dale Amidei about his newest book discuss Dale Amidei’s first female heroine in his Boone series of espionage thrillers, a sort of international/ political Tales from the Dark Side. Dale writes complex, powerful novels that pull his characters into unthinkable situations, which is why I have temporarily given up paranormal fiction in favor of devouring his books.
Claire: Readers and writers alike, no matter their preferred genre, would find Dale’s geopolitical intrigue novels exemplary.
Rebecca: That’s some mighty highfalutin language there, but I think you’re absolutely right.
Claire: All I’m saying is that, as primarily a romance reader, I find his books a delicious departure from my usual reads, just like you do.
Rebecca: Can’t argue with you there … but about Boone: How do you relate to her character?
Claire: I think she’s a bad-arse, and I mean that in the “holy-crap-if-she-was-real” sense (and maybe she is). I wouldn’t want to get on her bad side. Respect her, yes. Mess with her, no way. I would actually like to be Boone. What about you? How do you see her?
Rebecca: Well, you know, every woman has those days when everything jells, right? The makeup and hair work, the clothes fit perfectly, the job rolls on smooth wheels. Then there’s the rest of the time, when the mirror and the closet are your enemies, and the job develops a square wheel and just clunks along, and the kids track dog poop all through the house ten minutes before the party. Those kinds of issues are hiccups in the greater scheme of things, I know, but they seem like disasters at the time.
And then there’s Dr. Rebecca Boone Hildebrandt’s world. She’s an intel operative who deals in—how to say it?—correcting political situations detrimental to independence and freedom. She takes on the jobs no one in the real world wants to think about. Her profession involves stealth, constant situational awareness, and occasionally sudden death: both other people’s and possibly her own. She has to be good at what she does, just to survive. Dog poop on the floor is the least of her worries. And yet, even with her youth and strength, she is full of flaws and desires. She has the same soul shadows and asks the same questions we all do: “What have I become? Did I ever have a choice?”
Claire: I’ve read all four of Dale’s Boone’s File novels, and I’m waiting for the fifth one, A Garden in Russia. Taken together, they chronicle Boone’s journey from a flawed, confused enforcer of justice to a clear-headed confident woman who manages to reconcile her profession with her soul. She’s a cool, aloof bad-girl trigger mama in the first book, truly someone you’d not want to disrespect. But she changes as each novel unravels another of her protective layers, and she begins to thaw into something more human and fragile.
Rebecca: Exactly! And I think the title of the first Boone book, Absinthe and Chocolate, describes her perfectly. Chocolate represents everything Boone is: rich, lush, exquisite, and extreme. Absinthe, nicknamed the “Green Fairy,” symbolized a changing social order in 19th-century Paris, a new generation of free thinkers and transformative ideas. The Green Fairy was also the embodiment of rebellion, especially female rebellion. Boone is nothing if not transformative and rebellious.
Claire: Well, you’re just chock full of weird information. But why am I not surprised? Dale’s first book hooked me into the series. It really showed Boone’s skills as well as her flaws. But in the second book, The Bonus Pool, Boone learns from a persecuted Chinese Christian pastor how to find peace in her life, and that we all “go from darkness into the Light.” Dale is a master at crafting Boone’s reflections on the old man’s words, as she moves from her internal conflict toward peace.
That starts the ball rolling for Boone. By the end of the third and fourth books (One Last Scent of Jasmine and Meat for the Lion), she’s moved away from her despair and doubt, and into a more clear-headed sense of her purpose in life.
Rebecca: Seeing her transformation made me want to say, “Maybe I can do that, too. In my own way I can be better, if I remember that every move is always from the darkness toward the Light.” In these days of turmoil both here and abroad, that’s a good way to think, not only for Boone but for the rest of us who are still cleaning up the dog poop.
Claire: But regarding the writing—you know, Dale writes so well that there are days I wonder why I even bother. And did you ever ask yourself, how does he know so much?
Rebecca: After reading his novels with all those Special Ops and gun-related details, do you really want to ask that question?
Claire: Well, maybe no. But I do enjoy his books, because they’re not just complex in terms of characters and storylines. They address the human condition, whether it’s Boone or another character discoursing on current global and political issues. And in Boone’s case, he manages to hold up a mirror to her soul, so that she—and we—can see her heart laid bare.
‘For now we see in a mirror dimly, but then face to face. Now I know in part; then I shall know fully, even as I have been fully known.’
-Paul of Tarsus (or 1 Corinthians 13:12)
I feel like I know her better now.
Rebecca: Well enough to mess with her?
Claire: You think you’re so funny. ..
Rebecca Johnson was born and raised in the southern United States, mostly in North Carolina with brief relocations to South Carolina and Virginia. She is by education a medical technologist, graduating with honors from N.C. State and UNC-Chapel Hill, and by preference a calligrapher, needlework designer, and graphic artist. She writes paranormal romances by night when no one is watching, and hides her manuscripts under quilting and needlepoint projects during the day. In her spare time she beta-reads for other writers, searching for nitpicking errors. She believes that God’s purpose for her life is to cause as much trouble for as many people as she possibly can, and she spends at least part of each day fulfilling that purpose.
Claire O’Sullivan was raised in corn and cow country in the Midwest where she learned the nuances of ‘moo’ to PhD level (piled higher and deeper). She attended the University of Wisconsin at River Falls (aka Moo U) with a major in psychology, and changed minors every other week. She left Moo U and attended Lutheran Bible Institute and obtained her Bachelor’s degree in Biblical studies. She has fiddled with writing forever, and currently has several crime/romances in the works, including a comedy noir. She’s pretty sure that Rebecca is indeed fulfilling her purpose by tormenting her daily… er, helping Claire endeavor to write.
Thank you, ladies. I couldn’t have said it better myself.
Choose to love, -DA
In long-awaited production news, the fifth title of my Boone’s File series, A Garden in Russia, has emerged from production editing and is preparing to publish next month. As always, the date will be announced on Facebook and via Twitter. Her Big List of Links will appear here once all retail outlets spin up.
Here, it is not yet a week since an addled young man shot up his former high school in Parkland, Florida. And people everywhere are afraid.
We have all felt fear, so there’s seldom a need to define dread. It’s burn graduates through degrees of apprehension to stark terror in every life, because we are fragile and fleeting creatures bounded in an uncertain existence by a beginning and an end, with our anticipated span between at best an assumption. Fear is natural once we witness hurt … or worse.
In our next release and Boone’s fifth novel, A Garden in Russia—currently editing—the wife of Russia’s FSB Director, my character Ana Lyubov, has this to say about the duty and responsibility for comporting oneself:
“Faith is given to overcome fear, girl, for those who live in righteousness. It is history’s lesson at every turn. This is our time to be strong … for your father’s sake.”
And again, to another:
“Let me tell you, Deborah Vosse … though my husband is in prison, and my daughter a captive, I feel no less the hand of God in these difficult days.”
And this from Boone:
“When fear keeps you from your promises, your duty, from accomplishing whatever it is you are tasked to do by your love for others … only then are you a coward.”
To fear is no dishonor. Fear can be motivating, as adrenaline is invigorating. What follows behind sometimes is problematic.
Fear exists as a tool for those whose main ambition is to direct the lives of others. Like animal predators in nature rather than society, spiritually deficient personalities seek, sense, cultivate, and exploit it because they recognize the manipulative advantage of leveraging terror.
Terrorists use it as a means to an end. That the techniques of terror are more blatantly homicidal than a politician whose strategy is identical in its heartless essence marks only a matter of decrepit degree. The core value of both sociopathic subsets is dominance. In each case goal-oriented behavior exhibits to the exclusion of valued humanity.
In every case, fear depends on its acceptance in the targeted group embracing the emotion. Sometimes this occurs out of fatigue following relentless, propagandistic assault, but more often the cause is a perception of helplessness. Those manipulating the sensation of horror have some transition in mind, and often what presents as a solution is anything but.
Today the architects of fear are targeting the natural right of free people to possess the means of their defense. The framers of our Constitution recognized this before all but a few when delineating the rights its first ten amendments safeguard, because they were about setting down unchanging principles of governance unhindered by tyranny. In doing so, they were setting the boundaries of government free people would not need to fear.
Frank Herbert’s masterpiece Dune has his portrayed Bene Gesserit trainees recite their litany against fear as “the mind killer” and “the little death that brings total obliteration.” Herbert’s characters, so prepared, faced their emotion, let it go, and traced its path afterward to better understand themselves. So should we.
Fear stems from uncertainty, but certitude is a matter of education. It is infuriating that fear is being cultivated in our educational institutions these days. Its introduction is diminishing rather than edifying.
Malleability originates in a condition of essential incapability. Performance anxiety in vital aspects of life, such as assuring one’s personal safety, amplifies perceptions of dependency, whose end result is to make its subject weak rather then strong. Personal, emotional and physical strength should be the goal of worthwhile mentors. To do otherwise brings into question the motives and honor of those responsible for producing the next generation of citizens, and the ideological condition their curriculum is designed to produce.
I repeat: fear, in whatever condition one finds oneself, regardless needs to be embraced to have an influence. The strength to do otherwise is bestowed first in the spirit and then in the mind, where a decision to act must take place. This is why those whose sum displays in their ambition go to such lengths to assure its abundance in prospective subjects. Tyranny is never in the best interest of the oppressed, and tyrants know this better than anyone. It must be made to appear as the best choice, and to do so more noble aspects of the human experience must be put out of mind.
The fear of death, the scariest and most inevitable doorway we face in life, is the tool God’s enemy uses to turn us from His will. That the enemy and his plans are defeated already through the Resurrection of Christ is the treasure of faith and secret strength for those of us who believe, and freely available should it be sought. This realization is God’s goal, just as His enemy’s schemes intend to keep you from it.
So, here in the wake of another tragedy and in the midst of upset and proposed, agenda-based solutions on the political Left, I would encourage you. Find your faith and build your strength in the company of worthwhile teachers in whatever aspect of your personal development seems lacking. They are the ones whose goals are to make you strong, independent, reverent, and capable rather than a quailing thrall. They will teach you how to help yourself rather than carry or steer you into servitude. They will ask nothing but their due in exchange, if wishing anything at all but that you likewise pay forward the lessons accumulated from similarly happy, formative circumstances of their own in days gone by.
They are the ones you will remember on the day you’re able to say, “I’m not afraid, I am free.”
Choose to love, -DA
In production news, as mentioned, the fifth installment of Boone’s File is editing and anticipating a September release. As always, whether you have read in Jon’s Trilogy, or Sean’s File, or followed Boone’s progress, we depend on your recommendations and your reviews to get out the word.
“If you’ve read something, I hope you said something.” Your few words, describing to prospective readers how my novel made you feel, will never stop helping me … or go unappreciated here.
Actions have consequences, some of which are predictable … and some not. In Boone’s fourth novel, complications arising out of her covert history interfere with an attempt to start a new life.
Following simultaneous attacks in Washington and Moscow, Boone and her allies learn of what was thought to be an extinct breed of predator: Vedro Krovi (VAY-dro KROWV-yi), a company of Russian mercenaries unleashed by patrons uncomprehending of the level of commitment and ruthlessness they have unwittingly engaged.
This, while Deborah Vosse—the premier investigative journalist for her left-leaning ForwardNews network—is prompted by the murder of a colleague to examine the relationship between heads of state and the shadowy figures of international intelligence. Connections never intended for public knowledge begin to unveil those who covertly enabled or interdicted the agendas of masters or enemies.
The plot develops into Boone’s largest challenge to date, with everything she holds dear, including her beckoning life and freedom, at risk on multiple fronts.
Here’s the blurb:
“Boone, now a former covert operative, looks forward to a fulfilling marriage, new career, and brighter days. Investigative journalism by one of her country’s most prominent news personalities, however, begins to unravel a thread of actualities thought to have been classified out of existence. Actions once undertaken in the national interest threaten her new life.
When not only Boone’s people but the servants of the ill-intended and powerful are targeted for elimination, the result is an undeclared war between the keepers and the kept. Forced back into a high-stakes game against international players, she will need to call on all her resources in order to defend those whom she loves against two of the world’s most powerful men … and sins of her past.
Approx. 92,370 wds./ 323 pp. print length”
As always, your contributions toward signal boost in spreading the word are appreciated. Read. Rock. Review. Recruit. Repeat.
Choose to love, -DA
In more production news, Ritter’s fourth title, The Yemeni Package, has entered Content Edit in preparation for an anticipated first quarter 2018 release.
Or is it You’re Part of the Story? Either sense is correct. Interconnectedness is a vital aspect of the human experience, and without an appreciation of the precept, we would each develop into someone far below our potential.
You, however, are my readers. I’m not content to leave you there.
Many worthwhile things can be accomplished on an individual level, and some of those in no way else. Even the most independent achievement, however, is the culmination of capability fostered by affecting influences. Those are the drops and rivulets contributing to the flow of who we are and what we do … for better or worse.
Likewise, each event in the past contributes its part to the composition of the current scene. Frank Capra did a better than adequate job of illustrating totality in It’s a Wonderful Life, so I won’t bother to recap his conclusions here. It’s a pity, though, that sometimes this essential realization drops while reading fiction when we so wholeheartedly embrace it watching that film. I sometimes wonder if its absence also contributes to a less-than-sufficient grasp of history generally, much less the problems this can cause with dedicating attention to a novel.
I mention every so often how much I dislike encountering formulaic fiction. Emphases vary between plot-driven and character-driven structure such as mine. One won’t find action leading the way in a Dale Amidei novel, for the same reason that unanticipated, out-of-context conduct in real life generates confusion and anxiety in its witnesses. The ideal here is removed from pulpy exploits and steeped in substance instead, and the distinction sometimes requires the accumulation of momentum in defining a character’s situation.
Structure, done from farther out than a singular or first-person perspective, sometimes requires this. I’ve never written under the latter restriction, much preferring the weave of multiple points of view I encountered in my best formative reading. Reading first was a process that stretched across four decades before attempting my own serious novel, one that ran somewhere past thirty consecutive five-stars on Amazon and once was, by one website’s weighting, the second highest-rated fiction title in the Kindle store.
Character-driven fiction requires an investment on the part of the reader in the imaginary folk he or she is encountering. Its dividend must be paid by the author, but this takes time. It also, sometimes unfortunately, requires depositing a span of attention nearly every aspect of modern life seems intent on degrading. No one, if you’ve not noticed, ever dies in a Dale Amidei Chapter One. In Chapter Two and following all bets are off … but by then you will at least have an inkling of what’s happening and why.
What and Why, now that Boone is about to appear in her fourth novel, both play a vital role in her latest adventure. The interconnectedness to which I alluded in beginning this post is coming full circle; the cascading implications of fulfilled duty in her previous title, One Last Scent of Jasmine, extends from Washington to Moscow as two of the world’s most powerful men turn to ruthless pragmatism in seeking to distance themselves from their moral culpabilities.
Boone’s fourth is now set to appear on June 28, 2017. I hope you’ll be coming along on a trip not to be missed, whether you jumped into my interconnected character universe through Jon’s Trilogy, or Sean’s File, or with Boone’s debut in Absinthe and Chocolate. She and I need your reads, your reviews, and your help in boosting my signal on social media. You’re part of this story, and once it’s finished, I promise that Boone’s will remain part of you. To produce a novel that shakes the blessed earth is my prime motivation of course, but also to go forward with you from then on. Afterward, both of us will hopefully fulfill the clear vision of our Craftsman within the remainder of what He intends.
You do your part. I’ll do mine.
Choose to Love, -DA
In production news, as mentioned above, Boone’s fourth novel, Meat for the Lion, is progressing through its final quality assurance steps before publishing later this month. Once retail pages are live, her Big List of Links will appear here as a separate post.
It would be great from a business perspective if my characters stayed static throughout the course of a long series of novels. Adventure after adventure could follow in the endless timeline of a cast from whom the audience knew just what to expect. From the standpoint of realism and plausibility, of course, that’s not how things happen in the Dale Amidei universe.
Jon’s Trilogy is an example. His three titles took things, it seemed to me, as far as the character was going to go. When they finished, I had the distinct impression it was time to let Doctor Jon go back to a normal life … as normal as it could be remaining in association with Deborah Vosse, Daniel Sean Ritter, and eventually Boone, anyway. Those are different stories and ones we will address here eventually, God willing.
Ritter has Sean’s File, which is the man’s story from age nine onward. Growth there is a natural part of his continuing exposition. Portraying the change of the same person across years is possibly a factor leading to many readers designating him as their favorite character. That the man appears in every one of my novels to date likely says something about my personal attachment to the Colonel as well.
Boone’s File was meant to be a story of change from the beginning, where perhaps previously it was engineered out of a commitment to plausibility. My bio has always stated that I write in the real world, with real-world language and violence (and, when appropriate to the storyline, sexual situations). Constructing tales where the reader may easily suspend disbelief means persons appearing therein will change and grow. Every good guideline for storytelling says as much.
With Boone’s third on the horizon, I’m able to reflect on her very satisfying development. She has character and romance arcs spanning the six novels in which she appears and which will, again if we are so blessed, be brought to market over the course of the next three years or so. Writing as I have has made her tangible for me, and the results comprise a wholeness I am so glad to have been allowed to witness before anyone else.
Change should be embraced, not feared. In Professor Tolkien’s universe, the great failing of the rulers of Men in Numenor was the inability to accept their limited span. They envied the Uttermost West its Undying Lands, and so eventually brought ruin on themselves. As usual, though he denied any intent of allegory, with that theme J.R.R. Tolkien was portraying the essential link between valid faith and character.
The philosophy necessarily entails accepting limitations for one’s characters as well. They will not operate at a peak level of efficiency through thirty novels. They cannot dispatch endless numbers of villains without paying the price of self-doubt and conscience. They are unable to avoid necessary pain inherent in living well. Embraced, such seems to have only produced added dimension to my work.
My virtual people seem real to me because they have experienced stages of personal development I have observed in others, in persons both characterized and actual. From feedback so far, it seems others value the same effect to an even greater extent.
Boone’s third, One Last Scent of Jasmine, is now preparing to publish next month. The project has remained eminently satisfying throughout the process of bringing it forward. My longest novel prior to The Anvil of the Craftsman’s Revised and Extended Edition, it is, as described by the Editress, an amazing weave compiled into a great ending.
Boone’s story goes on as of this writing, of course, but it will not always. I know it, and she knows it. Though neither of us has been graced with having seen that ending yet, it will be the process of living through to the end which neither of us takes for granted or fears in the least. This, as Tolkien intimated so well, is what the Powers require of the faithful, lest we lose vital hope to futile delusion whispering the world is otherwise.
Choose to Love, -DA